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MEDIA
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Parachutes
reviewed by mark blake, featured in q magazine, august 2000
Hovering around the bottom of a list of what the world needs right now
must surely be: more whey-faced introspective guitar bands. At fist glance,
the evidence is not good: Coldplay are four sensitive souls - higher education
and pot noodle diets not too distant a memory - and clearly au-fait with
the finer points of Jeff Buckley, Pink Floyd and, inevitably, Radiohead.
So far, so Muse.
Yet their debut album's secret arsenal comprises frontman Chris Martin's
voice - prematuraly aged for someone in their early twenties - and some
supple, persuasive melodies. That and a great big side order of melancholy.
Don't Panic, Sparks, and the singles Shiver and Yellow have a spidery
quality with Martin's admittedly Jeff Buckley-esque voice assured and
agile, but never performing gymnastics just for the hell of it. Spies
is goosepimply, 4am stuff, with a forboding acoustic guitar refrain, matched
later by Trouble's desolate piano hook.
You can only wonder what well of emotional trauma has been dredged for
some of what's on offer here. Though Everything's Not Lost and the "hidden"
track, Life's for Living have an uplifting quality, suggesting that it
all might come right in the end. Halls of residence will echo with this
record for months to come, but the rest of the world could do worse than
listen.
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